''Silent Dust'' is a 1949 British drama/thriller film directed by

Lance Comfort Lance Comfort (11 August 1908 – 25 August 1966) was an English film director. In a career spanning over 25 years, he became one of the most prolific film directors in Britain, though he never gained critical attention and remained on the ...

and starring

Sally Gray Constance Vera Browne, Baroness Oranmore and Browne (''née'' Stevens; 14 February 1915 – 24 September 2006), commonly known as Sally Gray, was an English film actress of the 1930s and 1940s. Her obituary in ''The Irish Times'' described he ...

, Stephen Murray,

Derek Farr Derrick Capel Farr (7 February 191221 March 1986) was an English actor who appeared regularly in British films and television from 1938 until his death in 1986. His more famous roles include Group Captain John Whitworth in '' The Dam Busters' ...

and

Nigel Patrick Nigel Patrick (born Nigel Dennis Patrick Wemyss-Gorman; 2 May 1912 – 21 September 1981) was an English actor and stage director born into a theatrical family. During the late 1940s and 1950s, he became known as a debonair leading man in Brit ...

. The title comes from lines in

Thomas Gray Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, letter-writer, classics, classical scholar, and professor at Pembroke College, Cambridge, Pembroke College, Cambridge. He is widely known for his ''Elegy Written in a Country ...

's ''

Elegy Written in a Country Churchyard ''Elegy Written in a Country Churchyard'' is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742 ...

'' ''Can Honour's voice provoke the silent dust, or flattery soothe the dull cold ear of Death?'' The screenplay was by

Michael Pertwee Michael Henry Pertwee (24 April 1916, Kensington, London – 17 April 1991, Camden, London) was an English playwright and screenwriter. Among his credits were episodes of '' The Saint'', ''Danger Man'', '' Alfred Hitchcock Presents'', '' B-A ...

, adapted from his own play ''The Paragon''. The film was shot in

film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ' ...

style with dramatic use of light and shadow.

Plot

Simon Rawley is reported killed in the last days of World War II, and his blind father Robert (Murray) decides to build a cricket pavilion in his memory in the local village. His neighbour Lord Clandon (

Seymour Hicks Sir Edward Seymour Hicks (30 January 1871 – 6 April 1949), better known as Seymour Hicks, was a British actor, music hall performer, playwright, actor-manager and producer. He became known, early in his career, for writing, starring in and p ...

) urges him to extend the dedication to all the local men who gave their lives in the war, but Robert refuses. Planning and construction take some time and three years pass, during which Simon's widow Angela (Gray) falls in love with local doctor's son Maxwell Oliver (

) whilst they have both been posted to

Occupied Germany Germany was already de facto occupied by the Allies from the real fall of Nazi Germany in World War II on 8 May 1945 to the establishment of the East Germany on 7 October 1949. The Allies (United States, United Kingdom, Soviet Union, and France ...

after the war. Robert cannot help feeling that this is disloyal to his dead son, but his second wife Joan (Campbell) does her best to convince him that Angela is entitled to search for happiness again. The pavilion is finally completed and plans are in place for the grand dedication and opening. The local police are meanwhile looking for a villain who coshed a motorist and stole his car in London, and has dumped the car in the vicinity. Robert surprises an intruder in the house that evening. He is closely followed by Angela, who to her great shock recognises her "dead" husband Simon (Patrick). He signals to her not to let Robert know his identity. Later he comes up with elaborate excuses to Angela to explain his resurrection and lack of contact since the war, but she soon sees through the lies. It is subsequently revealed that, far from dying a hero's death on the battlefield, Simon was a deserter who faked his own death. Since the war he has been making a living on the wrong side of the law as a black-marketeering spiv. Now down on his luck, he has returned (in the stolen car) to try to extort money. Angela has to let Joan in on Simon's return from the dead, and the two try desperately to shield Robert from the knowledge of his son's return in such circumstances, aware that the shattering of his illusions would destroy him. The unscrupulous Simon, learning of Angela's new attachment to Maxwell, demands £5,000 to leave for good. Robert gradually comes to realise that something very strange is going on, and little by little manages to piece together that Simon is in hiding somewhere in the house. He finally manages to track him down and a struggle ensues, climaxing with Simon falling to his death from a balcony. With his son's perfidy finally revealed to all, Robert agrees to change the dedication of the pavilion, as Lord Clandon had requested all along.

Cast

Reception

A contemporary review in the Australian newspaper ''

The Age ''The Age'' is a daily newspaper in Melbourne, Australia, that has been published since 1854. Owned and published by Nine Entertainment, ''The Age'' primarily serves Victoria (Australia), Victoria, but copies also sell in Tasmania, the Austral ...

'' credited it as "first-class screen fare...strong drama...(which) combines a good and arresting story with first class acting". ''

The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...

'' found the film to have "considerable merit as drama" and singled out Murray's "acutely sharp characterisation" for praise, but felt that overall it was somewhat let down by "(showing) its stage heritage in a number of static sequences which rob it of much-needed vitality". Trade papers called the film a "notable box office attraction" in British cinemas in 1949.Robert Murphy, ''Realism and Tinsel: Cinema and Society in Britain 1939-48'' 2003 p211
/ref>

References

External links

* * * {{DEFAULTSORT:Silent Dust 1949 films 1949 drama films Films directed by Lance Comfort British black-and-white films British films based on plays British thriller drama films Films scored by Georges Auric 1940s thriller drama films 1940s British films